Vol. 1 No. 1 (2022)

Published August 31, 2022
Venue
Full Issue
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Venue Cover Image Vol 1 No 1 2022

Table of Contents

Vol. 1 No. 1
i–ii
Table of Contents
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Letter from the President of MAHS

Rebecca Brienen
iii
Letter from the President of MAHS
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Contributors

Vol. 1 No. 1
iv–v
Contributors
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Abstracts

Vol. 1 No. 1
vi–viii
Abstracts
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Articles

Ruoxin Wang
1–21
An Early Sixteenth-Century Flemish Chasuble at the Museum of Fine Arts, Houston
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James Clifton
22–48
The Erotics of the Axillary Pose
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Natasha Seaman
49–72
Naturalism and Archaism in Hendrick ter Brugghen’s "Crucifixion" and "Saint Sebastian Tended by Irene"
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Beth S. Wright
73–97
“As I Was Perpetually Haunted by These Ideas”: Fuseli’s "The Nightmare" and Its Influence on Mary Shelley’s "Frankenstein" and "Mathilda"
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John Klein
98–115
Is Matisse’s "Bathers with a Turtle" a Cubist Painting?
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Cynthia Amnéus
116–139
American Couturier Elizabeth Hawes and the Feminine Mystique
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Exhibition Reviews

Delia Cosentino
140–145
"La Grandeza de México," Museo Nacional de Antropología, Mexico City
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Ashley E. Kim Duffey
146–149
Megan Rye, "Foundling: 100 Days," Weisman Art Museum, University of Minnesota, Twin Cities
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Heidi J. Hornik
150–153
"Wealth and Beauty: Pier Francesco Foschi and Painting in Renaissance Florence," Georgia Museum of Art, University of Georgia
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Susan J. Baker
154–159
"Soundwaves: Experimental Strategies in Art + Music," Moody Center for the Arts, Rice University
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Nicholas Hill
160–164
"Lands, Real and Imagined: Women Artists Respond to the Art and Travel Writings of Maria Graham (1785–1842)," Fisher Gallery, Otterbein University
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Levi Sherman
165–168
Enrique Chagoya, "Detention at the Border of Language," Edgewood College Gallery, Madison, WI
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Carl Schmitz
169–175
"Bob Thompson: This House Is Mine," Smart Museum of Art, University of Chicago
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Elyse Dianne Mack
176–182
"The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse," Crystal Bridges Museum of American Art, Bentonville, AR
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